The common theme within is my desire to explore what emerges when creativity is defined solely by the materials at hand.
Grounded in a commitment to sustainability, my work explores the transformative potential of found materials.
Trained in apparel design and figurative drawing, my design focus expanded across disciplines—to include home goods, furniture and multi-media art.
These pieces utilize vintage texts as a canvas, an intentional choice designed to challenge our culture of consumption. By repurposing well-worn books, I push the boundaries of what is considered acceptable or orthodox in art materials, advocating for resourcefulness within our means. When I can, I also match each piece to a vintage frame or a frame of upcycled material. The bolder ‘C Channel’ steel frames are handmade, one at a time, by a dear friend, in his San Francisco studio.
I am intrigued by the beauty of everyday objects, items from the past that bring texture and function to our lives yet are often overlooked. Layered over historical text, these subjects come into focus, highlighting the enduring nature of human experience—what changes and what remains the same.
The visceral quality of the materials is essential to the work. The surprising depth of watercolor pigment and the organic crinkle of the page as water sets the medium are celebrated elements. Other works, rendered in simple pencil and charcoal, offer a graphic simplicity.
This collection was recently part of a solo show at Carmel-by-the-Sea’s Marjorie Evans Gallery; and previously at Fog City in San Francisco’s iconic Ferry Building.
I’m happy to continue to share the work within. Feel free to reach out with any questions.
Everyday Objets by Beth Miles
Embracing the imperfect nature of each piece ultimately serves as a reflection of our shared world and the inherent beauty present in all of us.
